Little Jeliza-Rose (Jodelle Ferland) has a very warped childhood. Her parents (Jeff Bridges, Jennifer Tilly) are both drug addicts, and one of her daily chores is to prepare their syringes. After her mother dies of an overdose, her father, Noah , takes her away to his childhood home, but his own mother has passed away and the house is decaying. Then Noah overdoses, and while his body rots in his chair, Jeliza-Rose meets a taxidermist and her unstable brother.
You introduced this film with an announcement. Some of us weren't going to like what we were about to see. Damn right (and not a great way to set up your audience).
So let's look at the reasoning for your apology - the film we were about to see is seen through the eyes of a child, or a child's imagination if you like. Great, I can accept that. As we grow older, we lose sight of what it is to be a child, to see the world with such innocence. No, not me, not got a problem with that.
The problem I do have, Mr G, is that it's all very well delivering a film through the eyes of a child, but the story we see still has to be dramatic. And ...
Tideland Siamese twins become punk heroes in this mockumentary from the directors of Lost In La Mancha
How do you follow up a documentary that plays out like a tragi-comedy? Easy: make a tragi-comedy that masquerades as a documentary. After the brilliant Lost In La Mancha, a hair-raising account of Terry Gilliam's aborted efforts to film The Man Who Killed Don Quixote, directors Keith Fulton and Louis Pepe return with another tale of industry implosion - though this time the industry under the spotlight is the music business of the mid-1970s, characterised by pan-sexual hijinks, druggy indulgence, a burgeoning punk scene and, we're invited to believe, the most ...
Terry Gilliam's no stranger to trouble. On Brazil, the former Python had to go to the LA press before studio head Sid Sheinberg would release the director's cut of the film. With The Adventures Of Baron Munchausen matters got so out of hand that the budget threatened to top $50 million. And then on The Man Who Killed Don Quixote, the movie foundered the instant filming began.
Even Gilliam's most successful pictures have been riven with trouble - he threatened to walk off 12 Monkeys, his biggest hit to date. It was while making The Brothers Grimm that Our Tel encountered a whole new source of stress in the form of Harvey and Bob Weinstein. Turning down first choi...
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