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A THOUSAND ACRES, director Jocelyn Moorhouse's screen adaptation of Jane Smiley's Pulitzer Prize-winning novel, finds skeins of KING LEAR-like conflict running through the bedrock of a midwestern family. Jason Robards stars as Larry Cook, a powerful, stoic Iowa farmer who decides to retire and split his 1,000 acres of land among his three daughters. His two eldest daughters, Rose (Michelle Pfeiffer) and Ginny (Jessica Lange), live and work on the farm and happily accept the lucrative agreement, while the youngest, Larry's favorite, Caroline (Jennifer Jason Leigh), has abandoned farming life fo... r a law career in Des Moines and refuses to take part in the deal. Initially, Larry is consumed with rage and shuts out Caroline while Rose and Ginny go about running the farm with their dutiful but greedy husbands. However, as Larry begins to lose touch with his farming life, he loses touch with reality, and his painful descent into madness leaves him bitterly opposed to his daughters' ways of running the farm. Paranoid and disillusioned, he decides to sue Rose and Ginny with Caroline's help in an effort to regain his patriarchal control. The lawsuit divides the family forever, leaving Rose and Ginny to suffer alone while realising painful memories from their childhood. As Rose and Ginny discover their own individual strengths in the face of adversity, they learn how to survive on their own, without the protection of the farm and the suffocating presence of their father. Moorhouse's film is an epic tale of loss and redemption that highlights strong and earthy performances from Pfeiffer and Lange.
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Not a first date movie
All the leads give excellent performances, particularly Jessica lange and Michee Pfeiffer, and Colin Firth gives good American as the crumpet, but all the male characters are hateful- lame at best. Its a good film for a girls' night in, but bear in mind there are no laughs in it anywhere.
Jane Smiley's PulitZer prize-winning novel plays a contemporary variation on King Lear as three daughters squabble over their widowed father's farm. After the dynasty divides against itself old enmities resurface and the scene is set for a rerun of the 10 plagues in modern form (breast cancer scares, infertility, adulterous affairs and domestic violence), which puts both actresses and audience through the emotional wringer. All the characters are sharply defined, with Lange and Pfeiffer in fine form, and Robards suitably sour as the grumpy old curmudgeon, but the plot has been watered down until it is little more than a Waltons-styled soap.
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