Director Istvan Szabo's SUNSHINE is an epic tale that follows the Hungarian Jewish family the Sonnenscheins through five generations spanning more than 100 years, from the mid-1800s to the mid-1900s, exploring the history, politics, world wars, social diaspora, and economic shifts that influence and change them during that period. Beginning with Emmanuel Sonnenschein, who builds a business around the family product (a Taste of Sunshine tonic), the film follows the lineage from his son Ignaz (Ralph Fiennes), a political conservative loyal to the Hungarian Republic, to Ignaz's son Adam (als... o played by Fiennes), an olympic fencer who is victimized by the Nazi genocide, to Adam's son Ivan (Fiennes again), a member of the Hungarian communist regime who manages to divorce himself from it and be free. Through these transitions, it is Valerie (played by both Jennifer Ehle and her real-life mother, Rosemary Harris), the cousin and wife of Ignaz, who becomes mother to Adam and grandmother to Ivan, supplying moral support, a family backbone, and photographs: a signature snapshot technique is used in the film to round out each major chapter or event. A beautiful film with easy transitions, dramatic scenery and costumes, and admirable performances, SUNSHINE's themes of family, history, and Hungarian pride resonate far beyond the big screen.
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As audacious high concepts go, it's audaciously high: in 2057, Earth shivers beneath the wintry rays of a dying sun. Mankind's last best hope for survival is the pessimistically named Icarus II mission: eight astronauts set the controls for the heart of the sun, where they will deliver a cosmic defibrillator in the form of a bomb the size of Manhattan, assembled from all Earth's remaining fissile material and designed to kickstart the star back into life. Seven years earlier the Icarus I tried but failed on the same mission; the fate of its crew is unknown. The only certainty: if Icarus II fails, it's lights out for London, New York, Tokyo, Sydney, and everywhere else on Earth.
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