In the small town of Santa Loraina, California, the decrepit, long-abandoned Fowler Funeral Home has become a local legend. As the story has it, Zeb Fowler bought the land to start up a ranching business, but something killed off all the cattle. To make ends meet, Zeb became the town mortician, and the Fowler house was turned into a funeral home-complete with a cemetery for a yard. But the strangest part of the story is the Fowler's son Bobby, whose face was so hideously disfigured it was hidden beneath a burial shroud. At age eight, Bobby mysteriously vanished, and ten years later his parent... s were found murdered-their faces smashed in. Locals believe that Bobby is still alive. Today, the Fowler Funeral Home is the stuff nightmares are made of-backed-up sewage pooling in the yard, a house of filth, decay, coffins, embalming equipment, and a strange black fungus growing on everything-and now the Doyle family is moving in. Having recently lost her husband, Leslie Doyle is relocating her two children, Jonathan and Jamie, to Santa Loraina so she can become the town's new mortician. But the Doyles have no idea of the horror that they're in for. Soon they'll uncover what happened to the Fowlers-what evil inhabits the grounds of their estate and what happens to anyone who steps foot there...
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Rarely has there been such trash as this
This is one of the most trashy films Ive seen. It is not a horror film. It is a low budget American made for TV junk filler. It is a comedy that it even funny - just plain pathetic from beginng to end. Rarely have I seen such rubbish as this. How do they get funding to produce this crap? Better off watching the grass grow than watching this junk junk junk
Mortuary Undead children take bloody revenge for past offences against minors. JS Cardone directs
Kids, eh? They can be so predictable. Put them in a romantic comedy, and they are bound to conform to that genre's construction of cute-as-a-button, which is to say precocious and annoying. Let them loose in a horror film, however, and their supposedly innate innocence is likely to get turned on its head, showing a more wicked streak that any parent will recognise.
Think the sociopathic aliens of Village Of The Damned (1960), the satanic spawn in The Omen (1976), the sickle-wielding hick-lets of Children Of The Corn (1984), the vicious psychotic projections of The Brood (1979), th...
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