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Danny Wright has bad luck: his only child has died, he's lost his job, his wife may be losing faith in him, and a tree has just fallen through his kitchen. But he's a gee-whiz optimist, on his way to Mexico City to pitch a deal. When complications arise, he has to stay a few days, and his path criss-crosses that of Julian Noble, a burned-out executioner (don't call him a hit man, he facilitates fatalities) who constantly drinks, smokes, and chases women of all ages. They chat at a bar, Julian is offensive; they spend the day at the bullfights, Julian asks for help with a killing. Danny is rep... elled and entertained. Where can this relationship go?
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In The Matador, a delightfully sly diversion, Pierce Brosnan breaks the mold and turns in what might be considered the performance of his career, the kind of witty, relaxed star portrayal that recalls those of Cary Grant and other Golden Era legends. Setting him up to perfection is Greg Kinnear, every bit as amusing and assured. As if this weren't enough, Hope Davis, one of the most protean young actresses working in films, lends further sparkle and drollery. The Matador marks a fine feature outing for Richard Shepard, who exhibits that precious gift of being able to work in the mainstream yet maintain the utmost sophistication in his point of view and in dialogue tha...
Average
Despite other opinions i thought this film was just okay. Brosnan veers from being quite funny to really hammy and annoying with his tendency to over-act, his accent also goes all over the place. Ultimately the film is let down by having no real plot it just kind of ambles along unsure of whether it's a black comedy, a drama or an action film. It ultimately tries to be all 3 and unfortunately fails.
Matador, The Pierce Brosnan is a shambolic hit man on the verge of a nervous breakdown, Greg Kinnear the traveller with whom he strikes up an unlikely friendship. Twisted black comedy written and directed by Richard Shepherd
Pierce Brosnan is the embodiment of cool charm. So when he struts through a hotel lobby dressed in nothing but Speedo swimming trunks and a pair of cowboy boots, you wonder if he can carry it off. That this standout scene in The Matador is performed with such magnificent, shambolic style is a credit to Brosnan's determination to shake off his "lovable rogue" image, recently aired in Laws Of Attraction and After The Sunset.
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