From the Pulitzer Prize-winning author of "The Hours" comes a story that chronicles a dozen years in the lives of two best friends who couldn't be more different. From suburban Cleveland in the 60s, to New York City in the 80s, where they meet an older woman, the film charts a journey of trials, triumphs, loves and losses. Now the question is: can they navigate the unusual triangle they've created and hold their friendship together?
Colin Farrell tops himself with an extraordinary performance
Colin Farrell as a boy - Bobby (played as an adult by Farrell) loses his parents and brother, ending up adopted by the family of his best friend Jonathan. His friend Jonathan has feelings for him and it goes beyond friendship and Bobby is open to it. Impressive, delicate and powerful game of emotions. Again Colin Farrell gives us an extraordinary and dramatic performance.
heart warming and engaging for those with brain and heart
For those reviewers that think nothing happened: This is the wrong film for you, you should be watching something with Arnold Schwarzenegger or Jean-Claude whatever and leaving films with emotional depth, and scope for the viewer to make their own conclusions, to those with the intellectual capacity and emotional maturity to deal with it. Try searching under “action /adventure” or, if you’re really feeling like a challenge, try “thriller”. Otherwise stick to the children’s section.
For Farrell, this is not such a departure from his usually more dynamic/heroic roles as people are making out. The point is that the guy can actually act and if you consider th...
Home at the End of the World, A
The Hours author Michael Cunningham adapts his own earlier novel for the big screen in this warm relationship drama. Spanning three richly detailed decades from the 1960s onwards, it explores the complex bonds of love and friendship between former childhood friends, played as adults by Colin Farrell and Dallas Roberts. Reunited in early 1980s New York, the duo form an unconventional family with free-spirited older woman Robin Wright Penn. In a trio of beautifully nuanced performances, the actors breathe life into Cunningham's multilayered but meandering script. Farrell is particularly delightful, displaying a gentleness and vulnerability far removed from his laddish medi...
A mournful coming of age tale told across three decades, A Home At The End Of The World is guaranteed a footnote in cinema history as the film in which Colin Farrell's manhood was unceremoniously snipped. According to industry gossip, the original rounds of test screenings left unsuspecting audiences gasping after seeing a full-frontal nude shot of the actor's over-endowed loins. Deciding the sight was "too distracting" the producers removed it from the theatrical print, effectively cementing the film's cult reputation overnight.
More than just a throwaway on-set anecdote, this infamous tale encapsulates all that disappoints in this adaptation of Pulitzer Prize-...
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