Dito, a writer in L.A., goes home to Astoria, Queens, after a 15-year absence when his mother calls to say his father's ill. In a series of flashbacks we see the young Dito, his parents, his four closest friends, and his girl Laurie, as each tries to navigate family, race, loyalty, sex, coming of age, violence, and wanting out. A ball falls onto the subway tracks at a station, small things get out of hand. Can Dito go home again?
A first for me
i have been going to the movies now for almost 46 years and in all that time i have never walked out before a movies conclusion until last week when i went to a preview screening of this - i hesitate to call it film !
I lasted 40 minutes watching this ill conceived , badly edited, pretentious pile of crap , 40 minutes of disjointed images,contiual swearing and profanities, i am no prude but i was mightily embarassed at this opus.
Anyone who pays money to see this is crackers and dont rent it sit and watch paint drying its 1000% more entertaining.
I am sorry if i have offended the arty farty reviewers who say this is a brilliant movie but they must have been drunk or on d...
Stale
Personality-free and often downright stupid, this endless binge of hackneyed macho posturing couldn't possibly be more routine. A verbose, inarticulate cypher (Downey Jnr, at his most irritatingly cartoonish) comes back to his old neighbourhood after a decade spent... doing something, somewhere else. The film never bothers to explain where he's been or what he's been doing, except that he's recently written a bestseller about his youthful misadventures. So, intercut with Downey's wistful, teary gulping, are several staggeringly boring sequences depicting them. I'm not even going to attempt to mock just how unambitious this part of the film is. These repellent, poorly ...
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