John and Laura Baxter are living in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic. She insists that she sees the spirit of the Baxters' daughter, who recently drowned. Laura is intrigued, but John resists the idea. He, however, seems to have his own psychic flashes, seeing their daughter walk the streets in her red cloak, as well as Laura and the sisters on a funeral gondola.
Don't Look Now Chilling but moving classic of British cinema. Julie Christie and Donald Sutherland star as a couple who move to Venice after the death of their daughter, only to encounter forebodings of death amid its dank off-season canals
Architectural restoration expert John Baxter (Donald Sutherland) and his wife Laura (Julie Christie), grieving over the sudden drowning of their daughter Christine (Sharon Williams), take a working holiday in Venice.
While John busies himself with his work, Christine meets up with middle-aged sisters Heather (Hilary Mason) and Wendy (Clelia Matani). Although blind, Heather claims to 'see' Christine. Furthermore, Heather claims that Christ...
A film to watch - in other words, do look now!.
This a film that requires, but rewards, close watching. It?s a film really about coincidence and fate, about the significance of little things in the greater course of lives, and whether, with hindsight, events are predestined or, well, just accidental.
It is not a horror film or thriller in any conventional sense, but it does makes effective use of a semi-deserted, out-of season Venice to create an edgy and disquieting, atmosphere. Against this backdrop, a young couple are forced to revisit the loss of their young daughter by an eccentric pair of middle aged ladies, one of whom claims to be blessed with second sight, and to have seen their dead child sitting happily with her parents ...
Don't Look Now
It would be hard to better the credits for this frantic French farce. Shot by Jean Renoir's nephew, Claude, and with a score by France's finest film composer, Georges Auric, it is directed with gleeful assurance by Gérard Oury, a former member of the world-famous Comédie-Française. The stars are our own Terry-Thomas, the gently comedic Bourvil and practised farceur Louis De Funès, perhaps best known here for the Gendarme of St Tropez series. Why, then, does this story of an RAF pilot sheltered from the incompetent Nazis by the Resistance manage to be less funny than an episode of 'Allo, 'Allo?
Architectural restoration expert John Baxter (Donald Sutherland) and his wife Laura (Julie Christie), grieving over the sudden drowning of their daughter Christine (Sharon Williams), take a working holiday in Venice.
While John busies himself with his work, Christine meets up with middle-aged sisters Heather (Hilary Mason) and Wendy (Clelia Matani). Although blind, Heather claims to 'see' Christine. Furthermore, Heather claims that Christine is trying to warn the Baxters. Certainly John's work manhandling gargoyles and climbing shaky scaffolds isn't entirely danger-free. Also, the sense of foreboding is masterfully cranked-up by the evidence of a mysterious kill...
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