The sportswoman Sarah loses her husband and daughter in a car crash, but she survives. One year later, her friends Beth, Rebecca, Sam and Holly, leaded by Juno, invite her to explore a deep cave in the mountains. When the expedition is about three kilometers underground, a rock collapses and blocks the access tunnel, trapping the group inside the cave. With limited supplies, they try to find a way out, but sooner they face a hunger and savage breed of predators.
Descent, The Six friends on a caving trip find themselves trapped underground - where they're not alone. Horror from Neil Marshall, writer-director of Dog Soldiers
Neil Marshall's 2002 debut feature film Dog Soldiers isolated a group of men in the back-country of Scotland where they fought for their lives against werewolves. His follow-up The Descent sticks to the same basic formula but inverts it somewhat -his protagonists are women, the setting is a cave system beneath the Appalachian mountains and the foes aren't werewolves - they're like a less civilised version of the orcs from The Lord Of The Rings.
The formula of a group of people fighting for s...
I saw something....
12 months after a fatal road accident, six friends decide to go caving deep beneath the Appalachian Mountains. It's not long before a minor collapse causes them to be unable to go back the way they came, and they're not sure there is another way out. This appears to be the least of their worries as Sarah swears she sees something else down there.
The scene in which Sarah's daughter is killed freaked me out a bit and I didn't feel it to be necessary for the film. I appreciate it was there to set Sarah's tragedy but it could've been done a bit differently. The way in which her daughter dies happens everyday on Britains roads and does drive home how fragile lif...
Descent, The
In Neil Marshalls Dog Soldiers a bunch of blokes went into the forest and scary shit happened. In this...
Neil Marshall's 2002 debut feature film Dog Soldiers isolated a group of men in the back-country of Scotland where they fought for their lives against werewolves. His follow-up The Descent sticks to the same basic formula but inverts it somewhat -his protagonists are women, the setting is a cave system beneath the Appalachian mountains and the foes aren't werewolves - they're like a less civilised version of the orcs from The Lord Of The Rings.
The formula of a group of people fighting for survival against something unknown or unnatural is a staple of the horror genre; if the filmmakers are inventive with the monsters and the death scenes and muster at least a m...
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