In Passaic, NJ, Elroy Fletcher runs a video store in a condemned building he claims was the birthplace of Fats Waller. Fletcher goes on a Waller centennial trip, leaving his foster son Mike in charge of the store. Mike's peculiar friend Jerry tries to sabotage a power station and nearly electrocutes himself, getting magnetized in the process. He inadvertently erases every tape in the store. Mike and Jerry hatch an plan to hide the disaster by making a homemade "Ghostbusters" to rent to a woman whom Fletcher will be phoning to check on them. Soon, with help, their homemade versions of films de... velop a cult following. Will this new business save the store and the building? What about Fats?
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It's a stinker
Sorry folks, if you were expecting madcap hilarity, then stick to the trailer. In fact, the trailers preceeding this film were funnier than the feature. I don't often feel moved enough to review, but this was Disappointing with a captial D. It had so much potential to be a real goodie, but somehow it just didn't work. A combination of bad script, bad acting (surprisingly) bad direction, a general 'budget' feel to it and the story was just weak and cheesy. So much so that we actually wondered whether it was aimed at being deliberately ametuer in line with the theme. But it just wasn't that clever.
Really folks, I urge you not to waste your time and money on th...
the trailer has all the best bits.....
Seen the trailer and was prepared for Jack Blacks usual standard of film, which I love. He seems different in this film though, almost manic, and the way he and his co-star talk over over each other became annoying - maybe they were improvising? My kids laughed more at the trailers before the film,
It's a quick trip from whimsy to silliness in Be Kind Rewind, a notably ephemeral work by Michel Gondry, whose flights of fancy can't overcome the egregious illogic of the premise. A few geeks and VHS cultists may cotton to the spectacle of two videostore clerks compensating for the accidental erasure of commercial tapes by shooting their own versions of Ghostbusters, Rush Hour 2 and Driving Miss Daisy, but inspiration is as meager as the antics of Jack Black and Mos Def are lame. Fact that, after its fleeting theatrical runs, this New Line release will rapidly move to its natural home on DVD -- but emphatically not on VHS -- ironically underscores the film's ...
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